Wednesday, June 22, 2011

World Beneath World Brings Southern Metal Back to the World!

2011 has been a great year for the revival of pure unadulterated metal, a comeback of the genre for sure! So I get totally pumped when I'm turned on to new acts who are carrying on the torch of what made hard rock great in the first place. Well, I have found a new link in the metal chain, and that link is World Beneath World!

This Dallas Texas group breeds from the same genetic pool of the likes of Pantera and Damageplan - literally! World Beneath World's lead singer John Bone, served as the original vocalist for Dimebag's Damageplan in its infancy. Bone then rounded up his boys from his old Texas band Bone Circus and formed World Beneath World. The group has the feel of classic Pantera and that may be because Nein was produced and engineered by Sterling Winfield, who produced Pantera and Damageplan, as well as Mudvayne and other metal up and comers.

After releasing an EP, Bone and the boys found a groove from their southern heavy metal roots and redirected the sound into their new release Nein. I gotta thank those guys at DSN Music for picking another metal masterpiece to distribute to the masses, because Nein kicks ass!

Clever, Nein has nine tracks on it and each one will blow you away! My favs are The New American Way which is just a get down and rock hard single, Sophisticate which guitarist Razz Callahan just shreds on, and even a head bangin cover of The Cars' Candy-O which won't leave your head! All nine tracks stand apart and hold their own. Winfield really took his time and brought the sound out for a new legion of head-bangers to discover this brand of southern metal.

A lot of rockers have come out of the south over the last decade but have fallen into that alt-rock scene - please! Like the ladies say in the bars, we need real men! World Beneath World are the guys you want to party with and maybe share your girlfriend with - they are the real deal! Glad to see a new generation of true metal pioneers emerging from the south! Go download Nein on iTunes or Amazon.com today - totally worth the cash for some in your face metal this summer!

Sunday, June 19, 2011

Rob Zombie wins Metal Hammer Magazine's Golden God


Metal veteran Rob Zombie has won Metal Hammer magazine's golden god award at a ceremony in London.

Zombie was presented with the award by Alice Cooper, which Metal Hammer said commemorated his 26 years of "the most raucous rock music and terror inducing films".

Elsewhere rockers Judas Priest won the icons award, while Iron Maiden claimed best UK band.

1,500 people attended the show at the IndigO2, with many dressed as zombies.

Other winners included US band Twisted Sister, who won the inspiration award, and West Midlands band Diamond Head, who claimed the spirit of Hammer prize.

British band Killing Joke won the best album award for their 14th studio record Absolute Dissent with Down guitarists Pepper Keenan and Kirk Windstein named riff lords.

Welsh rockers Skindred were named best live band.

A spokesman for Metal Hammer magazine said: "Seeing metal legends and metal's new blood equally celebrated is something Metal Hammer are proud to make happen."

Rob Zombie performed at the Download festival at the weekend but has been forced to cancel shows on his European tour that were due to take place after 26 June.

Heavy Metal's Birmingham Origins Celebrated


While musical trends come, go and re-appear with all the speed of a Tony Iommi solo, one genre has remained at the forefront of popular culture for over 40 years. Now an exhibition celebrates heavy metal in the city that invented it.

Home of Metal looks back at Birmingham and the Black Country's role as the birthplace of the biggest names in rock.

The area gave rise to legendary bands which went on to have worldwide success including Black Sabbath, Led Zeppelin, Judas Priest and Napalm Death.

The exhibition at Birmingham Museum and Art Gallery has won the backing of many of the stars, with several lending items such as guitars and stage outfits.

KK Downing, guitarist and one of the founding members of Judas Priest, said he was "fortunate" to have grown up in West Bromwich in the 1950s and 1960s.

He said: "I'm very fortunate in life to have been born at the right time to witness and play a part in the evolution of music.
Continue reading the main story
“Start Quote

We were the kids of blue collar workers.”

End Quote KK Downing Former guitarist with Judas Priest

"I was that fan in the sleeping bag, travelling around festivals listening to rock and blues.

"So many songs were remakes of the original blues artists' classics."

He said as well as the music he grew up listening to, the Black Country itself also influenced the scene.

"We were the kids of blue collar workers. We didn't have cars or money so we just walked around from pub to club and on the corner of every street there was a venue with bands playing."

He said he was pleased to see heavy metal recognised with a museum exhibition.

"I think it's absolutely fantastic. It's a great tribute to all the local lads who did good."

The exhibition has been put together by Capsule, which organises a number of music and arts events around the West Midlands.
Lisa Meyer in front of a photograph of Napalm Death taken by Ken Sharpe Lisa Meyer said heavy metal was part of the Black Country's social history

Lisa Meyer, from Capsule, said they decided to organise an exhibition of heavy metal to show people another side of the social history of the Black Country and Birmingham.

She said: "It's the first time we've done anything on this scale. We felt this was a bit of social history."

She said they felt the exhibition belonged in a museum because it celebrated "civic pride" and could be enjoyed by a wide range of people.

"It's quite far reaching, from people who listened to the music when it was first around who are now in their 60s, right through to a younger generation who are fans of the music now," she said.
Ummagumma

The exhibition opens with the sounds of the factories which many of the bands grew up in earshot of and which may have given rise to the loud sound of heavy metal.

Visitors walk into a replica 1960s living room to watch an exclusive interview with Ozzy Osbourne about the founding of Black Sabbath in Aston in 1969.

Posters, flyers and photographs from the Birmingham music scene of the 1960s and 70s when bands entertained the city's youth at legendary clubs like Mothers.

The long-gone venue above a suit hire shop in Erdington High Street was where Pink Floyd recorded some of the live set for the album Ummagumma in 1969.

Other installations celebrate Black Sabbath's first three albums with music and images from records including Paranoid and Master of Reality.

The exhibition also looks at the fans with collections loaned from music lovers who have built up their own records of music history in the form of tour t-shirts, tickets and posters.

Costumes, stage props and instruments are also displayed, with people given the chance to don a wig and rock out on guitar or drums in an interactive section.

There is also an exploration of the political side of the music charting the anti-establishment "DIY" movement of the 1980s which gave rise to bands such as Napalm Death.
'Modest backgrounds'

A huge piece of artwork charts the "family tree" of heavy metal and how the various singers and musicians have moved about between bands.

The work was produced by artist and illustrator Bunny Bissoux.

She said a lot of research had gone into charting the links between the big names of heavy metal.

The close links between the scene's musicians in the Black Country is something KK Downing also appreciates.

"Most of the lads, myself included, came from modest backgrounds so it was quite amazing how the whole movement took off."

Home of Metal will run from 18 June to 25 September at Birmingham Museum and Art Gallery.